You play. She handles the rest.
You give every track your best. Your business deserves the same: every request answered, every contract signed, every payment followed. The Queen keeps it in order.
For DJs. Agencies by invitation.
Until Nov 3014 days of Pro free, then your first 2 months at $10
Right now it lives
in six places
Nothing is written down in one place, so you find out what a show actually paid months later. And the ones who never paid quietly get away with it.
Know exactly what
you're owed
One number you can trust. Every payment in its own currency, at the rate on the day of the show.
It lands
Fees arrive from the booking itself.
It converts
Euro, pound and dollar side by side, at the rate on the day of the show.
It adds up
One yearly figure that never quietly drifts when markets move.
The same show,
eight different answers
Move the fee. Change the country. This is the real withholding table The Queen runs on, and the reason two identical bookings pay you very differently.
The Queen books it this way automatically, and tells you which country still owes you a credit back home.
She answers before
you forget
Requests from your page and offers from The Queen land in one list. Nothing sits unanswered for a week.
One inbox
Requests from your page arrive with the fee already filled in.
She flags it
Conflicts before you confirm.
You answer
Reply, hold or decline without leaving the row.
She opens
the door
A page anyone can open without an account: your bio, your music, your links and a booking button.
Ready in minutes
Your photo, your bio and your links.
Request a verified badge
The blue check tells a promoter it's really you.
They book
One button, straight into your inbox. No form to build.
Why would I need this?
Keep them. Your agent brings the gigs. The Queen keeps your side: every gig in one calendar, including the ones you close yourself, what's left after commission, the contract and the tax. Agencies can work on The Queen too, by invitation.
No. The money goes from the promoter straight to you. She shows you who owes you, how much and since when, so nothing slips.
A chat has no deposit, no payment date and nothing to stand on if they cancel. On Pro, the contract is built from the booking in one click, and the promoter signs on the phone without signing up. Burned before or not, it's one click now.
The Queen's contract has a cancellation window, 14 days by default, and a late-cancellation fee, 50% of the fee by default. With it, a late cancellation still pays. Without it, you lose twice.
Serious promoters work with contracts. When you respect your work, they do too. A clean contract that signs in a minute says you're a pro, not a problem.
That's the best time to start. Three shows a month are free, forever, and when the calendar fills up, everything is already in place.
Start free. Pay when
it pays you back.
No credit card to begin. No annual lock-in. Cancel whenever you like.
- 3 shows a month
- Calendar and contacts
- Public booking page
- Works on your phone (install from the browser)
Open an account by November 30, 2026: your first 2 months are $10/month, then $16/month.
- Unlimited shows
- Full money engine: tax, pension, currency
- Contracts with digital signature
- Calendar sync and reminders
- Everything in Pro
Before you start
Anything else? Write to hello@thequeenapp.com and a person answers.
Who is The Queen for?
DJs, today. Agencies join by invitation.
Is the free plan really free?
Yes. Free forever, with no credit card. It includes 3 shows a month, your calendar and contacts, and your public booking page.
Can I cancel Pro?
Whenever you like. There is no annual lock-in.
Does it sync with Google Calendar?
Yes. On Pro, The Queen syncs with Google Calendar.
Does it work on my phone?
Yes. Open it in your phone's browser and add it to your home screen. No app store needed.
I get paid in euros, pounds and dollars. Does that work?
Yes. Every show stays in the currency it was paid in, and your year adds up in yours, at the rate on the day of the show.
Who can see my fees?
Only you. Your public page shows what you choose, and your rates are never on it.
Can I take my data with me?
Yes. Your shows and figures download as a file, any time.
Why I built The Queen
I'm a DJ, a producer and I run a label. I wanted order, and real control over what comes in and what goes out. Chasing promoters for payment was exhausting.
I wanted to raise the standard, and I think you deserve to raise it too. Instead of working out whose spreadsheet or calendar is easiest, let her make it simple: who sent you a request, what's booked, what's signed and who still owes you.
Try it on your
next show.
Add one booking and watch it land: the date, the fee, your year's total. It costs nothing to find out.